I mixed this sweet li’l ditty by my friend Dad (Mike Bilenki). Dad’s lawn is trimmed and his pop songwriting is on point.
I mixed this song a few months back with local electronic producer MKSTN. Just released on Majestic Casual Records. Perfect spring vibes.
Available on iTunes, Spotify, and Soundcloud.
I helped with the mix on this 12" techno release for Kikamora. Check it out.
I helped with the mix on this 12″ techno release for Kikamora. Check it out.
The producer I was engineering for brought with him his Lexicon 960L reverb unit. What do you call this? Vintage digital? Modern Classic? It’s a a beast regardless, in the quality of its effects but also in its imposing 4u footprint and the ambient noise it spits out. The internal fans and especially the hard disk drive are very loud and without the luxury of a separate machine room … Read the rest “Quieting the Lexicon 960L”
At work we use an AMS Neve Genesys Console which is pretty great in a lot of ways. All of the internal routing, panning and channel EQ is totally recallable. Internally, the board is controlled by a PC running a custom Windows 7 front-end/wrapper.
The Genesys can also behave as a HUI control surface for Pro Tools but rather than interfacing with a slew of MIDI cables a Cat5e or Cat6 network cable connects the … Read the rest “Neve Genesys & ipMIDI”
I assembled 4 of these for the studio where I’ve been working. Mike at Hairball has done an amazing job, totally revamping the kits since I built mine a couple years ago.
The PCB has been redesigned to span the depth of the chassis and the front panel controls are mounted to the PCB, cutting the amount of wiring down drastically. The attack and release controls are similarly mounted to a daughter board which connects … Read the rest “Hairball FET Rack 1176”
Over at Gorilla vs Bear, some love for the Unfollow Blue Tapes release:
“this release is beautiful, hypnotic and makes me feel better when i am underslept. beautiful dance floor abstractions. — Katie Gately“
Kikimora Tapes releases this 2016 compilation today. You can get it online or as a limited edition orange cassette. I did post-production balancing (toy mastering) for this release and it was fun working with contributions from all over North America and Europe. Some dark, interesting electronic music here.
I put together this active DI recently based on a design published by retired Swedish sound engineer Bo Hansén. The result is a device that sounds better than commercial products that cost significantly more than the price of parts.
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